Sound That Elevates Every Frame

Custom music, bold remixes, and sync-ready tracks for film, TV, trailers, games, and commercials.
From original music to music clearance, we help your project stand out—start to finish.

Explore Our Services

High Tide Music Services creates custom music and remixes for film, TV, games, and ads—crafted for maximum sync impact. Our boutique catalog offers handpicked, sync-ready tracks, and we provide expert music pitching and clearance services to simplify the licensing process. Whether you need bold original music or the perfect track cleared fast, we deliver sound that elevates every frame.

A large amount of cds are stacked on top of each other
A large amount of cds are stacked on top of each other
black corded headphones
black corded headphones
Boutique Licensing Catalog

Our curated catalog of sync-focused music is available to license for you visual media needs. Bring your project to life with music that resonates.

Custom Music Services

We specialize in creating custom trailerizations, original production music and covers to deliver sound that sells the story.

Red file folders are neatly arranged on a shelf.
Red file folders are neatly arranged on a shelf.
Pitching and Clearance

Need help clearing music for your next visual media project or pitching your music catalog for sync opportunities? High Tide has you covered.

Meet Our Music Producers


Paul Ottinger (aka knownwolf) is an LA based composer/remixer. His clients include Universal Records, Sony Music, and Warner Music Group. As a cinematic remixer for trailers, film, and TV he has remixed artists such as The Rolling Stones, Jay-Z, Johnny Cash, Nas, James Brown, Bon Jovi, Natasha Bedingfield, Peter Tosh, Fleetwood Mac, Ruel, Public Enemy, Billy Idol, Peggy Lee,Judas Priest, Janis Joplin, Wu-Tang Clan, Iggy Pop, Kelis,Def Leppard, Mobb Deep, John Mellencamp, Youngr x Endor, Martha & The Vandellas, and Andrew WK. His work has appeared on Netlfix, Hulu, Amazon Prime, Discovery+, Fx, NBC, CBS, FOX, ABC and used in their various trailer and promo campaigns.

There is an uncanny futurism beating inside darkDARK, the duo of Chris James and Genevieve Vincent that pairs cinematic synths and textures with modern pop. The secret to their synchronicity lies in their work practice too; with Genevieve in Los Angeles and Chris in Austin, they pass it back and forth (sometimes more than a dozen times), adding and subtracting elements until it hits an aural sweet spot. You feel this in the tidal push-and-pull of their records, remixes, and productions.

Genevieve (darkDARK’s co-songwriter, co-producer, and main vocalist) is a classically trained composer/producer and former music supervisor who has scored films (The Broken Heart Gallery, Fantasy Island, What Happened, Brittany Murphy, Audrey's Children) and written orchestral concert music. Meanwhile, Chris (co-songwriter, co-producer, and additional vocalist) is a go-to composer, mixer, and sound designer who’s worked on spots for the Nike, Apple, Google, Levi’s, Red Bull, and Audi, among many others.

With the duo’s debut EP Heathered, outlets like NOISEY and NPR’s All Songs Considered were quick to compliment, with the latter praising the duo for crafting “infectious” tracks that “leave listeners wishing for more,” and Consequence Of Sound summing it up with “darkDARK have managed to harken all sorts of phases in electronic music’s history in a way that feels wholly original and forward-thinking.” Since then, darkDARK have written two full length records (“Feel So Much” and “Ghost Complex”) and collaborated with numerous incredible artists including Pusha T and J.I.D. Their music has made its way onto Empire, New Amsterdam, Power, The Hate U Give, and ESPN, among many other TV, commercial, and film placements.

About the Founder

Diana LaPointe is the founder of High Tide Music Services, bringing over 20 years of expertise at the intersection of music and visual media. A graduate of Berklee College of Music with a BA in Music Business, Diana also studied guitar and composition before launching her career in music licensing.

She began her professional journey at Warner Music Group before joining the creative sync team at Sony Music Entertainment. Rising to the role of Vice President of Creative Music Licensing, Diana specialized in pitching and clearing music for trailers, film, television and video games. Her work included curating and commissioning custom remixes of legendary songs from artists such as Bob Dylan, Nina Simone, Wu-Tang Clan, Johnny Cash, Nas, and Muddy Waters to power some of the industry’s most high-profile campaigns.

Through High Tide Music Services, Diana now brings this unique blend of creative vision, deep catalog knowledge, and licensing expertise directly to the visual media, label and publisher community. Whether producing customizations to amplify marketing campaigns, navigating complex negotiations, or connecting the right song with the right story, she continues to channel her lifelong passion for music and visual media into every project.